The song has been sung by many singers including André Zweig, Joan Baez, Donovan, Chava Alberstein, Theodore Bikel, Hélène Rollès in duet with Dorothée, and Russian ensemble of the Jewish songs on Yiddish "Dona". The song has been translated into many other languages including German, French, Japanese, Hebrew, and Russian. The song became especially popular after the performance of Joan Baez in 1960 and Donovan in 1965, and was even featured on "More Chad & Jeremy", a Capitol Records compilation of standards sung by the British duo.
The song in English became well known as "Donna Donna" when it was translated approximately in 1956 by Arthur Kevess and Teddi Schwartz. The first translation into English was made by Secunda himself but did not become popular. Dona Dona, Oyfn furl ligt dos kelbl, ligt gebundn mit a shtrik. Secunda wrote "ha ha ha" for the choral score with the broken chords. Title, Lyrics (English or transliterated), Chords or link to video, Notes on origin. There are some difference between the original and the melody that are well known. Secunda wrote "molto rit." (gradually very slowly) for the ending of the first verse. Then "he" sings the melody, and "she" sometimes sings "Dana", other times sings "Ah" with a high voice or technical passage. Program notes and song lyrics in English, Hebrew, and Yiddish, (6 p. Although singing the third part of "Dana Dana" (="Dana Dana Dana Dana.") the man sometimes sings lower than the melody using disjunct motions. Jewish folksongs sound recording / sung by Mark Olf. First, a woman (Secunda wrote "she") sings four bars and then the man (Secunda wrote "he") sings the next four. For all the things that you gave me from my heart I thank you for the entire paed time Dona, Dona, Dona, Dona, Dona Look at me and smile for me Dona, Dona, Dona, Dona my force, light, glow you make me strong, you know, o Dona, believe Believe in me From all the small things this is the most worthy from all the great thoughts from my entire.
He wrote "piu mosso" (more rapidly) for the refrain and some passages that emphasize the winds. The melody of the introduction was also used at the end of the song. He wrote for the choral score "andantino" (some slowly) and "sempre staccato" (play staccato always). The Yiddish text was written with roman alphabet. Secunda wrote "Dana-" for the orchestral score and "Dana Dana" for the vocal scores. The original is 2/4, in G minor for a duo of a man and a woman, choral with the orchestral accompaniment. The song was prohibited in South Korea as a communist song. Both of them were Jews, and the song has been written in days of nazism. The song has been written as "Dana Dana" in Yiddish, for the theatrical musical play "Esterke" (1940-1941) words written by Aaron Zeitlin, music written by Sholom Secunda. Writer(s): SHOLOM SECUNDA, ARTHUR KEUESS, TEDDIE SCHWARZ, SHELDON SECUNDA, AARON ZEITLINLyrics powered by และนานมาก เพราะ On a wagon bound for market There's a calf with a mournful eye High above him there's a swallow Winging swiftly through the sky How the winds are laughing They laugh with all their might Laugh and laugh the whole day through And half the summer's night Dona dona dona dona Dona dona dona down Dona dona dona dona Dona dona dona down "Stop complaining" said the farmer "Who told you a calf to be Why don't you have wings to fly away Like the swallow so proud and free?" How the winds are laughing They laugh with all their might Laugh and laugh the whole day through And half the summer's night Dona dona dona dona Dona dona dona down Dona dona dona dona Dona dona dona down Calves are easily bound and slaughtered Never knowing the reason why But whoever treasures freedom Like the swallow has learnt to fly How the winds are laughing They laugh with all their might Laugh and laugh the whole day through And half the summer's night Dona dona dona dona Dona dona dona down Dona dona dona dona Dona dona dona down
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